by Wedgie » Mon Jan 08, 2007 8:30 pm
by RoosterMarty » Mon Jan 08, 2007 8:58 pm
by JK » Thu Feb 01, 2007 11:14 am
by Rushby Hinds » Thu Feb 01, 2007 11:33 am
by TroyGFC » Thu Feb 01, 2007 1:36 pm
by MightyEagles » Thu Feb 01, 2007 1:49 pm
by MightyEagles » Thu Feb 01, 2007 1:49 pm
by another grub » Thu Feb 01, 2007 4:09 pm
by Wedgie » Thu Feb 01, 2007 4:46 pm
by the tractor » Thu Feb 01, 2007 4:48 pm
by Wedgie » Thu Feb 01, 2007 5:05 pm
by Thiele » Thu Feb 01, 2007 5:08 pm
by zipzap » Thu Feb 01, 2007 6:00 pm
by Dutchy » Thu Feb 01, 2007 6:06 pm
TroyGFC wrote:That had got to be one of the worst shows I have ever watched, I hate shows on super natural crap. Why put Prison Break on after?
by Wedgie » Thu Feb 01, 2007 8:34 pm
by Dutchy » Thu Feb 01, 2007 9:01 pm
by Wedgie » Thu Feb 01, 2007 9:03 pm
Dutchy wrote:Agree after reading that IMO I still dont like it....Ive never been into that sort of fiction...give me a good laugh after being serious all day at work and Im happy...Seinfield at 10.05 each night is still my comedy fix
by TroyGFC » Fri Feb 02, 2007 2:47 am
Wedgie wrote:Found this review of the first show interesting as the first line reminds me of a couple on here, perhaps the show may be a little too deep for some because they only looked at it from a first glance point of view?
At first glance, it would be easy to dismiss Heroes as a watered-down version of X-Men. To do so, however, would be a huge mistake. While it does tread on familiar comic book-inspired territory, Heroes painstakingly avoids splashiness, instead painting its characters in subtle tones of normalcy shaded by the extraordinary.
The creation of Tim King (Crossing Jordan), the pilot episode zigzags across the globe, introducing us to a disparate group of characters, from an indestructable Texas cheerleader to a Japanese office drone with the ability to displace time and space to a male nurse who believes he can fly to a Vegas stripper haunted by a separate personality within herself to a drug addict artist who paints visions of the future. Their stories are told in separate vignettes, loosely connected by an Indian researcher's quest to redeem his dead father's reputation. All of it has something to do with a solar eclipse, which has awakened the protagonists' latent abilities, as well as signaling dire events for all earth.
On paper, it all sounds more than a little hokey, but Heroes transcends any cliches by cloaking it all in ambiguity. The characters in the pilot episode are three-dimensional people — a devoted single mom with a questionable past, a male nurse whose dreams of flying symbolize his relationship with his politician brother, a high school student who can do no wrong, and so on — whose lives are taking an unexpected and unwelcome turn.
The pilot episode focuses on the characters' individual stories and inner turmoils, rather than their unusual abilities. It's a teaser, to be certain, but it beckons us to return to find out how the mysteries presented here develop. If Heroes can maintain the focus of the pilot episode, focusing on the characters and their relationship to their environment, TV may have a sleeper hit on its hands. This is a show that promises social insights presented in allegorical style.
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