by Magellan » Fri Dec 18, 2015 9:41 am
by Lightning McQueen » Fri Dec 18, 2015 9:46 am
Magellan wrote:Whilst it comes post-Black Album,and contradicts a bit of what I said earlier, I'm actually quite a fan of "Load". A return to some extent to the longer epic songs that they are master of, some darker lyrical themes, and some great grooves.
by Booney » Fri Dec 18, 2015 9:47 am
Magellan wrote:Whilst it comes post-Black Album,and contradicts a bit of what I said earlier, I'm actually quite a fan of "Load". A return to some extent to the longer epic songs that they are master of, some darker lyrical themes, and some great grooves.
by Magellan » Fri Dec 18, 2015 9:50 am
Booney wrote:Post-Black and despite popular opinion, I'm a fan of Death Magnetic. Whilst Load is also very good, I think DM is the pick of the "modern" post-Black Metallica offerings.
by Booney » Fri Dec 18, 2015 9:53 am
Magellan wrote:Booney wrote:Post-Black and despite popular opinion, I'm a fan of Death Magnetic. Whilst Load is also very good, I think DM is the pick of the "modern" post-Black Metallica offerings.
Yes, agreed. Again, epic songs, dark lyrics, but with the harder metal edge reminiscent of earlier classic albums. Plus Kirk Hammett is finally let off the leash to play a guitar solo once again.
by Magellan » Fri Dec 18, 2015 10:33 am
Booney wrote:Frantic and Invisible Kid could have been so much better for the tinny popping snare Lars was using or how it was produced.
by OnSong » Fri Dec 18, 2015 10:47 am
by Dogwatcher » Fri Dec 18, 2015 11:04 am
by Booney » Fri Dec 18, 2015 11:04 am
OnSong wrote:These recent pay rises for state MPs.
I understand they work hard but those salary increases in this current economic climate can't be justified.
by Pseudo » Fri Dec 18, 2015 11:14 am
Booney wrote:OnSong wrote:These recent pay rises for state MPs.
I understand they work hard but those salary increases in this current economic climate can't be justified.
...and they try and justify it by saying it's not a pay rise but an offset for the parliamentary allowances they no longer get.
So, hang on! They take away the allowances but just get a pay rise instead!!!!
by Dogwatcher » Fri Dec 18, 2015 11:25 am
by HH3 » Fri Dec 18, 2015 11:31 am
by Booney » Fri Dec 18, 2015 11:34 am
HH3 wrote:Boon harassing my staff!
by Dogwatcher » Fri Dec 18, 2015 11:36 am
by HH3 » Fri Dec 18, 2015 11:56 am
Booney wrote:HH3 wrote:Boon harassing my staff!
*BANG* how quick was that!![]()
Last time I send well wishes...!!!
by Booney » Fri Dec 18, 2015 12:08 pm
HH3 wrote:Booney wrote:HH3 wrote:Boon harassing my staff!
*BANG* how quick was that!![]()
Last time I send well wishes...!!!
Nah thanks mate.![]()
I was like "who the f**k is (insert Boons real name) from (insert Boons workplace)?"
The Mary said it was a message specifically for me.
Then I was like "Ooooohhhh. (Insert Boons real name) from (insert Boons workplace). I know him. I'll now head to a footy forum we both go on a bag him for harassing my staff"
by HH3 » Fri Dec 18, 2015 12:17 pm
by Booney » Fri Dec 18, 2015 12:21 pm
HH3 wrote:Spot on.
I'll make sure you get that order by February.
by HH3 » Fri Dec 18, 2015 12:29 pm
Booney wrote:HH3 wrote:Spot on.
I'll make sure you get that order by February.
Suits me. I'll pay you in June, ok?
by RustyCage » Fri Dec 18, 2015 2:12 pm
Magellan wrote:Lightning McQueen wrote:Magellan wrote:"Nothing Else Matters" by Metallica.
All these words I don't just say!!!!!!!!!!!!!!!
I'm gathering you'd be a Mozart man?
Not at all, I'm huge Metallica fan. But by the time the Black Album came around Metallica IMHO had spent all their good creative capital. It's not a bad album by any means, but there are some songs with just rubbish lyrics, and Nothing Else Matters is just one example. It's not worth comparing to any of the other four albums that preceded it that had some great lyrics ("Kill' Em All" was a bit juvenile, but still cool in a teenage metalhead f**k you attitude kind of way). By the time 1990-1991 came around it seemed like Metallica (or Hetfield and Lars) had nothing really to say. The only upside was the 'groovier' production and the reemergence of the bass from "...Justice", although this doesn't outweigh the average lyrics and riffery.
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